Model thought of the camera as a detection device, something that makes it possible to see what habit often hides. Concentrating on the frantic, compelling tempo of urban life, she was fascinated by people in the street and the clientele in nightclubs. As a photographer she followedher instincts, then cropped her negatives in the laboratory to eliminate any superflous details and thus obtain her direct, powerful and richly human images.
Her work evinces empathy, curiosity, compassion and admiration, and reflects the photographer’s attraction to voluminous forms, energy and liveliness, to emphatic gesture and expression: the world as stage.
Promenade des Anglais, Nice, 1934
Coney Island Bather, New York
c. 1939-July 1941